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OUR LADY PUBLSH. – 2026 OLP Founder's Plaque
Digital rendering of a fictional commemorative Founder's plaque.
Created for OUR LADY PUBLSH., an ongoing artistic
research project exploring music publishing,
archives and cultural memory.
OUR LADY PUBLSH. – 2026 Access the Archive
Digital photomontage combining archival imagery,
the historic suspension bridge of Mallemort and a
distant London skyline.
Created as a symbolic landscape for the project,
exploring transmission, migration, memory and the
passage between places, histories and identities.
NOVA GHØST – 2019/2026 DIGITAL DIASPORA
Music production, art direction, graphic design,
publishing and archival development.
Part of the OUR LADY PUBLSH. research project,
exploring identity, migration, memory and digital
forms of cultural transmission through a fictional
artist catalogue.
Handle With Care (Illustrations) – 2025/2026 (Print Collection and T-shirt merch')
Barite photographic print and Posca water marker.
Photographic interventions created for Émilie De Sel's Handle With Care release. Combining handwritten statements with photographic imagery, the works playfully blur the boundaries between personal message, promotional material and artistic manifesto.
Nowhere Behind (Sculpture) - 2026 (Print Version)
Metal mesh, plaster and dried herbal composition.
Sculptural study developed for The Low Seasons, investigating memory, absence and the fragile persistence of lived experience.
Untitled Desire (Proposition in Neon Green) – 2024
Strap net hammock and metal structure.
Exploring desire as a structure of tension, support and interdependence between bodies and spaces.
Untitled Desire (Proposition in Neon Pink and Orange) – 2024
Strap net hammock and metal structure.
A variation on the Desire series investigating intimacy, attraction and the architecture of human connection.
Untitled Strap Desire (Sketches Series) – 2024
Strap net drawing on architect paper.
Architectural drawing exploring the relationship between support systems, bodies and emotional space.
Untitled Desire (Sample in Black) – 2024 (Alternative View)
Strap net.
Material study examining tension, restraint and the language of support.
Untitled Painterly Proposition of a Blue Pallet – 2023/24
Painted and serrated pallet wood mosaic, polymer mould of inner tube, spray pigments.
An exploration of painting through reclaimed materials, where labour and construction become image-making tools.
Untitled Painterly Proposition (Still Life Composition) – 2023/24
Legless wooden armchair, construction straps, pallet wood mosaic, polymer mould and spray pigments.
Combining domestic objects and industrial materials to question notions of value, care and permanence.
Untitled Painterly Proposition of an Armchair – 2023/24
Legless wooden armchair reupholstered with construction straps.
A reconfiguration of familiar furniture into a sculptural object balancing utility, memory and abstraction.
[im-ij] Loading on Odd Supports – 2023/24 (Series)
Various supports including projection surfaces, school boards, slates, typewriters and drawing devices.
An ongoing investigation into how images migrate, adapt and acquire new meanings when displaced from their original context.
[im-ij] Loading on Odd Supports (Magic drawing board toy – 2023/24 (Series)
Various supports including projection surfaces, school boards, slates, typewriters and drawing devices.
An ongoing investigation into how images migrate, adapt and acquire new meanings when displaced from their original context.
[im-ij] Loading on Odd Supports (Typewriter)– 2023/24 (Series)
Various supports including projection surfaces, school boards, slates, typewriters and drawing devices.
An ongoing investigation into how images migrate, adapt and acquire new meanings when displaced from their original context.
[im-ij] Loading on Odd Supports (White school board)– 2023/24 (Series)
Various supports including projection surfaces, school boards, slates, typewriters and drawing devices.
An ongoing investigation into how images migrate, adapt and acquire new meanings when displaced from their original context.
[im-ij] Loading on Odd Supports (Polaroïds) – 2023/24 (Series)
Various supports including projection surfaces, school boards, slates, typewriters and drawing devices.
An ongoing investigation into how images migrate, adapt and acquire new meanings when displaced from their original context.
[im-ij] Loading on Odd Supports (School student slates) – 2023/24 (Series)
Various supports including projection surfaces, school boards, slates, typewriters and drawing devices.
An ongoing investigation into how images migrate, adapt and acquire new meanings when displaced from their original context.
Untitled Pillar Diptych – 2022/23 (Gallery view)
Carved stone, pallet wood assemblage, cement and plaster.
Architectural fragments exploring support, balance and the symbolic role of monuments in collective memory.
Untitled Pillar Diptych – 2022/23 (Studio view)
Carved stone, pallet wood assemblage, cement and plaster.
Architectural fragments exploring support, balance and the symbolic role of monuments in collective memory.
The Family Wine – The Wine of Wrath – 2022
Wood wine rack, wine cases, coloured Molotov forms.
A domestic monument examining inheritance, family narratives and the tensions hidden within traditions.
The Family Wine – The Wine of Wrath – 2022 (Alternative gallery view)
Wood wine rack, wine cases, coloured Molotov forms.
A domestic monument examining inheritance, family narratives and the tensions hidden within traditions.
The Family Wine – The Wine of Wrath – 2022 (Alternative gallery view)
Wood wine rack, wine cases, coloured Molotov forms.
A domestic monument examining inheritance, family narratives and the tensions hidden within traditions.
Metallic Paper Plane Experiment (or Folded Plane) – 2022
Aluminium, copper and stainless steel.
Transforming a fragile gesture into a durable object, questioning ideas of aspiration, travel and permanence.
Metallic Paper Plane Experiment (or Folded Plane) – 2022 (Studio View)
Aluminium, copper and stainless steel.
Transforming a fragile gesture into a durable object, questioning ideas of aspiration, travel and permanence.
Metallic Paper Plane Experiment (or Folded Plane) – 2022
Aluminium, copper and stainless steel.
Transforming a fragile gesture into a durable object, questioning ideas of aspiration, travel and permanence.
Metallic Paper Plane Experiment (or Folded Plane) – 2022 (Alternative view
Aluminium, copper and stainless steel.
Transforming a fragile gesture into a durable object, questioning ideas of aspiration, travel and permanence.
Anchor a Sun to Aim for a Moon – 2021/22 (Gallery View)
Wood assemblage, stone and acrylic paint.
A speculative assemblage exploring ambition, orientation and the human tendency to construct meaning through symbols.
Pendulum – FILM - 2021/22 (Experimental, performative view)
Sculpted stone (crumble stone) and chain.
A performative exploration of gravity, repetition and cyclical movement, using the pendulum as both physical object and metaphorical measure of time.
How Long Can I Hold My Breath – Sculpture 2021 (Film / Experimental view)
Sculpted stone (crumble stone).
Examining endurance, vulnerability and the body's relationship to duration through acts of restraint and persistence.
Pendulum - 2021 (Gallery view)
Sculpted stone (crumble stone) and chain.
Transforming a simple mechanical principle into a meditation on balance, tension and the passage of time.
Doodling on Nana's Carpet - 2020/21 (Studio view)
Painted carpet (wool, acrylic, spray paint and hooks).
Revisiting domestic memory through acts of intervention and play, where inherited objects become sites of transformation.
Mars Awakening in March - 2020/21 (Studio view)
Assemblage, wood pillar (wood, acrylic paint, plaster).
A speculative monument balancing humour and mythology while exploring systems of belief and projection.
One and 3 Pedals - 2020 (Installation view)
Bicycle pedal, photograph and enlarged dictionary definition.
A reflection on language, representation and authorship through the reinterpretation of a familiar conceptual art strategy.(After Joseph Kosuth)
Body Buildings – Polaroid Series - 2019/20 (Studio view)
Multiple exposure Polaroid collage.
Exploring the body as architecture and architecture as body through fragmented photographic constructions.
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Planets and Astros Keyboard - 2019 (Studio view)
Modified Apple keyboard.
A playful reconfiguration of everyday technology, transforming a functional object into an imagined celestial landscape.
Concrete Bag Idea - 2018 (Studio view)
Cement fondue, acrylic paint, elastic and ceramic.
Investigating the relationship between weight, containment and the illusion of flexibility.
Workout Barbell Set - 2018 (Studio view)
Iron barbell, cast books and mixed materials.
Connecting physical training, knowledge and labour through the symbolic transformation of books into weights.
Mouvements de jambes - 2018 (Gallery view)
Wood, aluminium and inner tube.
A study of movement and bodily mechanics reduced to simple structural elements.
Bench #1 - 2018 (Gallery view)
Steel and bicycle saddle.
A dysfunctional object situated between exercise equipment, furniture and sculpture.
Negative Extension – Prep #3 Final Level - 2018 (Gallery view)
Mixed materials.
Part of an ongoing investigation into effort, resistance and the physical language of exercise.
Supine Series – Positive Tension - 2018 (Gallery view)
Mixed materials.
Exploring states of support, compression and bodily tension through sculptural forms.
Negative Extension – Prep #1 First Level - 2018 (Gallery view)
Mixed materials.
Early experiments examining the relationship between physical strain and sculptural structure.
Climbing Jugs - 2018 (Gallery view)
Ceramic, concrete and glaze.
Functional climbing holds transformed into sculptural artefacts balancing utility and abstraction.
Fountain Barrels - 2018
Cast water fountain barrels.
Investigating systems of circulation, consumption and containment through industrial forms.
Spotter – (Tension #1 & #2) - 2018
Inner tubes and stretched structures.
A series exploring elasticity, resistance and support as both physical and psychological conditions.
Prone – Negative Tension - 2018 (Studio View)
Inner tubes, nails, canvas stretcher, staples, screws, plaster and timber.
Using the visual language of exercise, construction and repair, the work explores states of tension, support and imbalance. It shows the how. Positioned somewhere between sculpture and improvised engineering, it reflects on the ways bodies and structures are continually shaped through forces of resistance.
Spotter – (Tension #1) - 2018
Inner tubes and stretched structures.
A series exploring elasticity, resistance and support as both physical and psychological conditions.
Spotter - (Tension #1 and a chair) - 2018 (Black Polaroïd)
Black Polaroid photograph.
Studio photograph of the Spotter sculptures. The empty chair introduces a human presence through its absence. Acting simultaneously as a measure of scale and a trace of labour, the image reflects on effort, tension and the relationship between the body and the object it has produced.
Introducing E.M.A. - 2018 (Animation)
CGI animated character.
An early experiment in digital identity and character construction. Incorporating elements of the artist's own physical features, E.M.A. blurs the boundaries between self-portrait, fictional persona and autonomous digital presence..
Melon Head / Concrete Melons - 2018 (Gallery view)
Concrete, elastic bands and found imagery.
Combining humour and discomfort through the collision of organic forms and industrial materials.
Melon Head / Concrete Melons - 2018 (Gallery view)
Concrete, elastic bands and found cardboard rolls.
Concrete casts derived from melons and assembled with found materials. During installation, improvised cardboard supports unexpectedly transformed the forms into elongated, head-like figures, giving rise to the title and introducing a playful tension between humour, portraiture and material experimentation.
Greenhouse Transcript - 2018 (Gallery View)
Printed interview transcription.
Preserving oral histories and everyday knowledge through simple archival gestures.
Greenhouse – Construction Notice Not Included - 2018
Plywood and hardware.
Exploring DIY culture, labour and instruction as sculptural material. Based on family photographs and personal archives, the work reconstructs a vanished greenhouse once built by my grandfather, reflecting on transmission, labour and the changing histories embedded within a single site.
C.R.A.F.T. Random File - 2017/18
Conceptual portraits, archives, transcripts and CGI imagery.
Produced within the framework of the C.R.A.F.T. Institute (Centre de Recherche d'Affiliation Familiale et Territoriale), a fictional research centre devoted to the collection and preservation of working-class histories in Europe. Combining archival material, interviews and constructed documents, the project examines how family narratives, labour and territorial affiliations contribute to the formation of identity.
C.R.A.F.T. Random Altered Portrait - 2017/18
Conceptual portraits, archives, transcripts and CGI imagery.
Produced within the framework of the C.R.A.F.T. Institute. Combining archival material, the project examines how family narratives, labour and territorial affiliations contribute to the formation of identity.
Hyphen board (#1) - 2017(temporary located 43°43'13.0"N 5°11'44.9"E)
Kindly supported by the Cecil Lewis Sculpture Scholarship.
Aluminium plate.
Installed in a field belonging to my grandparents, the work takes its inspiration from the hyphen separating two dates on a gravestone. Positioned through geographical coordinates, the hyphen becomes both a marker and a metaphor for what exists between points, places and generations. Rather than signifying separation, it points toward the lived experience that unfolds in between.
Concrete 3D Scan (#1) - 2017
Kindly supported by the Cecil Lewis Sculpture Scholarship
Concrete cast derived from a digital scan.
An early experiment combining traditional sculptural processes with emerging digital fabrication tools. The work originated from a desire to test how studio-made forms could be captured, reproduced and reinterpreted through scanning technologies.
DIY kits (Construction notice not included) - 2017
1/6 scale elements to build. Plywood laser-cut elements in protective plastic sleeve and recycled card.
Developed through the construction of miniature galleries and speculative exhibition spaces, the work investigates how artworks, institutions and architectural environments can be imagined, assembled and inhabited at different scales. The kit format introduces notions of participation, reproduction and open-ended construction.
à Dada - DIY kits Wood Version - 2017
Sculpture reproduction. Plywood laser-cut elements, glue, screws and nuts.
A wooden variation of the DIY Kits series, translating sculptural forms into a reproducible construction system while exploring scale, assembly and material transformation.
à Dada - DIY kits Perspex Version - 2017
Sculpture reproduction. Transparent perspex laser-cut elements, glue, screws and nuts.
Transparent reconstruction from the DIY Kits series exploring material translation and reproducibility.
Monitor - II (Suite) - 2017 in collaboration with Daniel Bandfield
Face detection installation. Digital TV screen, plastic, shower hose, camera and electronic components.
Exploring recognition, presence and human-machine interaction through face-detection technologies. Activated by the viewer's presence, the installation examines the relationship between observation, participation and automated systems of identification.
(Tate Exchange @ Tate Modern presentation version)
Body Building#1 - 2017
Micro-architectural installation (1:6 scale). Wood, MDF, plywood, found objects, stainless steel and electronic components.
A site-specific installation investigating scale, perception and architectural representation. By recreating elements of the exhibition space in miniature and reintroducing them into the room itself, the work creates a mise en abyme where images, objects and environments continuously reflect one another.
Stable unit #1 - 2017
1:6 scale model for installation. Steel, plywood, LED and electronic components.
Exploring ideas of balance, support and habitation through a miniature architectural form. The reduced scale encourages an imaginative engagement with the work, where physical structures become spaces for projection and mental occupation.
Gorges Profondes - 2017
Stereoscopic video.
Recorded in the Gorges du Régalon, Provence, the work experiments with stereoscopic image-making and altered perceptions of landscape. The title playfully references both the physical depth of the gorge and the artificial depth produced by the medium itself. By exaggerating the sensation of scale and immersion, the work invites viewers to experience the landscape from an unfamiliar perspective, at once monumental and strangely miniature.
Monitor- I - 2017 in collaboration with Daniel Bandfield
Face detection installation. Digital TV screen, plastic, shower hose, camera and electronic components.
Exploring recognition, presence and human-machine interaction through face-detection technologies. Activated by the viewer's presence, the installation examines the relationship between observation, participation and automated systems of identification.(Tate Exchange @ Tate Modern presentation version)
Ogre de Barbary - 2017 - (Film)
Micro sound installation – Experimental recording studio.
Super 8 short film (0m30).
A short film documenting and extending the Ogre de Barbary installation, capturing the mechanical and performative qualities of its experimental sound-producing apparatus.
Ogre de Barbary - 2017 - (Gallery view)
Micro sound installation – Experimental recording studio. Found objects, stainless steel cage, electronic components, MP3 players, MDF and paint.
An experimental sound installation built around mechanical noise-generating devices and looping recordings. Borrowing its title from a playful distortion of the traditional Orgue de Barbarie (barrel organ), the work explores the boundary between instrument, machine and sound sculpture.
Sand-paper loops (Working title) - 2017(Gallery view)
Partition sound experimentation for Ogre de Barbary. Extra-fine sandpaper, tape, eyelets and nails.
Experimental sound studies developed through looping bands of sandpaper passed across microphones. Inspired by the mechanical operation of traditional barrel organs (Orgue de Barbarie), the work explores repetition, noise and the transformation of recording technologies into instruments.
Concrete weight - 2017(Studio view)
1:6 scale micro-installation. Concrete, perspex and stainless steel.
A sculptural prototype exploring weight, balance and material tension through miniature scale. Originally developed as a study for future large-scale installations.
Untitled pages - 2017
One-off newspaper print. 24 pages.
A series of playful experiments exploring the possibilities and limitations of the printed page. Combining visual propositions, simple gestures and conceptual interventions, the publication treats the newspaper format as both material and subject matter.
the M.U.D.(Ministry of Unquestioning Discoveries - 2016
80 digital illustrations. Video animation (0m35).
An early iteration of the M.U.D. project, transforming appropriated assembly diagrams into speculative architectural proposals. Through digital collage and animation, everyday construction instructions are reimagined as fictional infrastructures, blurring the boundaries between functional design, institutional language and imagined environments.
Not so Blueprint - 2016
Module 1.1, The M.U.D. Series of 38 one-off newsprints.
Part of the M.U.D. project, this series reinterprets assembly instructions and construction diagrams as speculative architectural drawings. Printed on newspaper rather than traditional blueprint stock, the work playfully questions systems of representation, reproduction and construction.
[ - ] HOLYPHEN - 2016 (Gallery view)In collaboration with Nelle Gevers
Micro-architectural installation. Wood, MDF, plywood, found objects, stainless steel, glue, nails, electronic components, LCD screen and paint.
A speculative laboratory centred around the hyphen as both symbol and methodology. Combining architectural fragments, found materials and moving image, the installation explores ideas of connection, separation and transition, treating the hyphen as a space that simultaneously divides and joins people, places, objects and narratives.
The Hanging Horn - 2016 (Studio View)
Hanging horn in concrete. Stainless steel, concrete and construction strap.
An early material experiment combining cast concrete with found forms and construction materials. By translating an animal horn into a heavy architectural substance, the work explores transformation, displacement and the changing meanings carried by familiar objects.
à DadA - 2015 (Gallery View)
Trestle and assembled bicycle inner tubes. Wood, rubber and stainless steel valve.
A sculptural assemblage built from everyday functional materials. The title references the Dada movement, while the trestle—traditionally used as a support for horse saddles—becomes the starting point for a playful transformation of familiar objects into sculpture.
±100 - 2015 (Film), Super 8 short film (5m33).
100 concrete sculptures. Stainless steel valve.
A filmic interpretation of the Nursery, exploring repetition, accumulation and variation through moving image. The work extends the sculptural installation into a cinematic form, allowing the collection to be experienced through rhythm, sequencing and duration.
the Nursery - 2015 (Studio View),
Painted shelving unit and 100 concrete sculptures. Stainless steel valve.
A sculptural installation composed of one hundred concrete casts derived from disposable juice pouches. Arranged on shelving units, the repeated forms transform an everyday object into a collection of individual yet related presences, positioned somewhere between archive, inventory and population.
the Nursery - 2015 (Studio View)
Fine art photographic print.
A photographic study of the Nursery installation, documenting the relationship between repetition, scale and accumulation within the sculptural arrangement.
Graphite on paper - 2015 (Studio View)
Sound drawing recorded on vinyl.
Produced from recordings made during the creation of the mono-CHrom' drawings, the work translates the repetitive gesture of drawing into sound. Pressed onto vinyl, the resulting record forms a circular counterpart to the layered graphite surface from which it originated.
Dim. 12inch LP
Tape oNe - 2015 (Studio View),
Recorder cassette, post-it and Posca.
An audio recording made during the production of the mono-CHrom' drawings. Capturing the repetitive movement of graphite across paper, the work documents the process of making rather than its final result.
mono-CHrom'(series)-(Tension Untitled #010) - 2014/15 (Studio view)
Monochromatic drawing composed of overlaid graphite lines.
Part of an extended series of large-scale drawings produced through the repetitive accumulation of graphite marks. Built line by line until the surface appears almost entirely black, the work reveals traces of its making through shifts in light, reflection and viewing position.
Dim. 39.4 H x 55.1 in (100cm x 140cm)
mono-CHrom'(studio installation) - 2014 (Studio view)
Polaroid protection sheets faced up and face down.
An early investigation into monochrome image-making inspired by the discarded materials of large-format Polaroid photography. The work focuses on the residual surfaces left behind by the photographic process, treating them as images in their own right.
[im-ij] Loading on wood - 2014 (Plywood version)
Laser engraving on plywood.
Taking the familiar visual language of a digital loading icon as its subject, the work presents a symbol of anticipation as a completed image. Positioned somewhere between joke, object and interface, it plays with the expectations we bring to looking at images.
± Laboratory (Film) - 2014
Micro-architectural installation.
Cook House Gallery, Chelsea College of Art, London.
Short film (2m53).
Filmed entirely at close range within a miniature gallery installation, the work invites the viewer to navigate an imagined architectural space. Only in the final moments does the camera reveal the true scale of the environment, shifting the work from immersive experience to model and exposing the illusion on which the film is built.
± Laboratory - 2014, Micro architectural Installation
Wood, perspex, plywood, newspaper, foam-board, fabric, cushion foam and nails. 1:6 scale model on a pallet.
A miniature installation designed as a space to be explored. Combining architecture, display and model-making, the work invites viewers to mentally inhabit a portable environment whose imagined scale exceeds its physical dimensions.
Inflatable Concrete Idea #04 (Series)- 2013/14
Cement fondue and stainless steel air valve.
A series of small concrete sculptures inspired by inflatable forms. The addition of air valves introduces a playful contradiction, suggesting softness, pressure and expansion within objects that are permanently solid and fixed.
Inflatable head - 2013 (Studio View)
Liquid tainted latex and Stainless steel valve on a parcel box
Dim. Variable
eMute - iPod on silent - 2014 (Photograph)
Photographic paper.
A photographic document of the casting process behind eMute, recording a series of failed and successful attempts to translate a portable music player into concrete. The image traces the transformation of a functional object into sculpture through repetition, experimentation and material testing.
eMute - iPod on silent - 2014 (Sculpture)
Concrete, cement fondue, electric cable and rubber.
A concrete cast of a portable music player fitted with its original earphones. By transforming an object designed for listening into a silent and immovable form, the work playfully shifts the device from tool to sculpture while preserving traces of its original function.
Pro-File - 2014 (Studio View)
Assembled bicycle inner tubes, wood and nails.
An experiment using reclaimed bicycle inner tubes arranged directly onto the wall. During the process, the composition unexpectedly began to resemble a human profile, transforming a simple material study into a playful exploration of portraiture through found materials.
7"& 12" Side B - Installation - 2013
Series of vinyl records cast in latex.
Courtesy of Btov'Music, 1987.
Presented as a suspended installation, the latex records hang between preservation and transformation. Their softened forms retain traces of the original recordings while introducing a sense of vulnerability, memory and material decay.
7" Side B - 2013
Series of vinyl records cast in latex.
Courtesy of Btov'Music, 1987.
A series of vinyl records reproduced in latex, transforming a familiar audio format into a soft, fragile and unusable object. Removed from their original function, the records occupy an ambiguous space between personal archive, sculpture and bodily fragment.
the Work-out - 2012
Concrete man-made tiles, cement fondue, cardboard and spray paint.
A reclaimed document folder containing handmade concrete forms resembling oversized books or files. By turning objects associated with information, knowledge and storage into something unexpectedly heavy and physical, the work playfully blurs the boundary between intellectual labour and physical weight.
© Copying it Just Right - 2012
Sealed envelopes, copyright records and original screenplay.
Combining a screenplay with the documents used to protect it, the work transforms a practical act of copyright registration into a sculptural installation. The envelopes, receipts and records become physical traces of the often invisible processes surrounding authorship and creative labour.
© Drafts - 2007/2012
Sealed vacuum storage bag containing shredded screenplay drafts.
A collection of screenplay drafts shredded and compressed into a vacuum-sealed storage bag. The work transforms the accumulated labour of writing into a single compressed form. By preserving the material remains of the writing process while destroying their readability, it shifts attention from the finished text to the accumulation, revision and labour that produced it, leaving behind a compressed image of the process itself.
f:0 Cell of light (f:0 /0"8) Pinhole - 2011