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I am a multidisciplinary artist working across photography, film, music, sculpture, installation and publishing.
Much of my practice begins with the ways people make sense of the world through stories, objects, images, rituals and shared fictions. I am interested in how identities are formed, inherited, negotiated and performed; how memory shapes our understanding of reality; and how collective narratives influence our relationship to one another and to the world around us.
Many projects emerge through a dialogue with art history, popular culture and existing systems of knowledge. References to artworks, exhibitions, institutions or cultural artefacts often appear openly within the work, sometimes seriously, sometimes playfully. Rather than treating history as a fixed canon, I approach it as a living material—something that can be revisited, questioned, reinterpreted and occasionally gently misused in order to better understand how meaning is produced and transmitted.
While many of the themes explored in the work touch on memory, identity and systems of knowledge, playfulness remains equally important. Humour, fiction and acts of fabrication are often used as methods of inquiry, creating situations where viewers are invited to question what is presented, what is believed and how meaning is constructed.
Over the years, the mediums have changed, but the concerns have remained remarkably consistent. Projects often take the form of constructed situations, speculative histories, fictional archives, temporary worlds or imagined institutions. Sometimes these investigations appear as installations, films or photographs; sometimes as songs, publications or research-based projects. Regardless of their form, they are less concerned with providing answers than with creating spaces in which questions can be experienced from multiple perspectives.
Found objects, reclaimed materials, moving image, sound and digital technologies all become tools for examining the space between what is remembered and what is forgotten, what is documented and what is reconstructed, what is inherited and what is invented.
More recently, these interests have expanded into OUR LADY PUBLSH., an ongoing artistic research project exploring music, authorship, archives and storytelling through a growing catalogue of real and fictional artists, reconstructed histories and multimedia publications. Rather than functioning solely as a music label, the project operates as a living archive and experimental framework through which questions of identity, memory, authorship and cultural transmission can be explored.
The studio is not simply a place of production. It is a device, a laboratory and an ecosystem where materials, images, sounds, stories and methodologies are allowed to coexist long enough to reveal unexpected connections.
Underlying these investigations is a recurring curiosity about how things persist through time: how memories are carried, how stories are transmitted, how identities are constructed, replayed and "performed", and how fragments of experience continue to evolve as they move between people, media and generations, far beyond their original context.
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